Category Archives: Writing

Mercy

“Do you think he’s very handsome?” Mercy Atkinson brought the photograph as close to her face as possible without touching the fragile image to her delicate nose.

She was momentarily distracted by a bar of sunlight falling over her yellow-gold curls and turning the photograph translucent between her fingertips.

Thomas McCord’s suit was finely cut, his house sturdily built, if distressingly set amongst a lot of nothing. The land around the house was little more than barren earth, but his colony was known for its quenching rainfalls and long summers. Mercy was certain she could coax flowers from the soil after a fashion. Were her roses not the finest example in their district? She could almost smell the perfume of rain-soaked virgin earth.

“The word you’re searching for, sweet sister, is petrichor.” Mercy’s sister Verity looked up from her sewing. “And I’m sure he’s quite pig-faced, but it doesn’t matter, does it? Father’s signed the contract, you’ve cut your hair, and I’ve put needle to thread for your trousseau.” Verity’s harelip curled in mocking victory. “The thing is done.”

“You needn’t lord your impending freedom over me.” Mercy spoke softly, the better to diffuse her sister’s vitriol, the better to slip a barb into the soft flesh between her sister’s scales. “Father will marry you off, too, in due course, but you’ll only have to sew your shroud. Ours is the only district that allows deformations to live.”

Verity’s deft stitching faltered. It was the only outward sign that Mercy had wounded her. Her voice dripped poison. “Will you ask your pig-faced husband for permission to attend my Stoning?” She turned the embroidery hoop in her hands and plunged the needle into the design. “Will you steal the honor of the first stone from my new lawful spouse?”

A hot spot of pity flared in Mercy’s chest. Verity rarely left their rooms. She never saw people. It was one thing for this border town in a half-lost colony to tolerate the presence of a woman born outside the parameters of the Aesthetic Statutes, but no one wanted to actually look at one. Verity would be married off to someone outside the district, and that man would then be responsible for her state-mandated murder.

Mercy’s pity turned to ash in her heart. Their father was a coward. He should have wrung Verity’s scrawny neck when the beautiful  black-haired, violet eyed child was born — born perfect save for the wretched flesh above her rosy lips.

Mercy set the photograph of Mr. McCord’s home on the window seat. “I’ll send flowers.” She stood, touching her fingers to her own flawless mouth and blowing a kiss in Verity’s direction. The scent of dust and rain followed in her wake.

 

This week from Write on Edge:

petrichor

noun: a pleasant smell that frequently accompanies the first rain after a long period of warm, dry weather

and
Thomas McCord's house "The Grange," built in 1819 and situated opposite Black's Bridge, at the first lock of the Lachine Canal, Nazareth Fief, Montreal, QC, 1872

Finishing is Scary

An actual view from the real-life location of the Damselfly Inn.

An actual view from the real-life location of the Damselfly Inn.

Don’t get me wrong. It’s thrilling, but there’s a generous dose of terror involved, too. After all, once I finish… in this case a draft of a forthcoming novel, I have to follow through. Hopefully soon. And then this new child of my imagination will go out into the world and stand on its merit, without me to prop it up.

There’s a parenting metaphor asserting itself here, isn’t it?

This is the point where I normally hide from the almost finished draft and procrastinate. I need your tough love, friends and readers, keep me honest — don’t let me hide.

In that spirit, here’s a little sip of what I’m working on. This excerpt comes from the last chapters of Damselfly Inn, the first of three or four planned romances centering around a group of friends in a small Vermont college town. The story itself has morphed significantly from the first time I put fingers to keyboard, but the cast and setting are the same. For those who haven’t read snippets of this manuscript before, Nan Grady is an innkeeper facing some business challenges, and Joss Fuller is the local contractor with whom she’s become involved over the course of the story.

There were embraces not meant to be seen. Moments, Nan believed, that existed only for the people who held one another within them.

Pushing open the swinging door between the kitchen and the foyer and discovering the man she was falling in love with having one such moment with another woman knocked the wind out of her. The well-oiled hinge was a blessing and a curse. Joss and Elisha didn’t hear her from where they stood on the stairs to the second floor; they didn’t see her ease the door closed again. They couldn’t hear her heart hammering in time with Elisha’s clacking exit.

Nan stood in the kitchen trying to find an excuse for the way Elisha cradled Joss’s cheek in her hand. The way Elisha’s chin fit so perfectly into the indent of his shoulder. The way their bodies seemed made for one another. Uncertainty settled lead-like in her belly. Her endless to-do list vanished from her memory. She was alone in the world, a husk that a strong breeze might whisk away out of the valley.

After a few moments of swirling silence, her earlier purposes reasserted themselves. Her feet carried her into the now empty foyer. A bride and her fiancé wanted to see the Adirondack Suite. They were due to arrive any moment.

Joss’s feet pounding down the stairs sent her heart racing. The foyer floor threatened to rush up and swallow her whole…

It’s always darkest before the light. I hope.

Angry Birds Drama: A Guest Post By the Small Boy

“Mama? I would like to make a book. Like you make grown up books.”
Sweet, sweet words, my friends. How could I not share the fruits of his labor?

BPAB Title Page

BPAB p1

BPAB p2

BPAB p3

BPAB p4

BPAB p5

 

*I wrote his words, but they are his own, unedited.

Whipple Holler

Daddy put the oddest assortment of things in my satchel. I expect he thought I was already a dead girl when he lit out for what used to be Whipple Holler and the cracked asphalt river that he say’ll take him south and east to the Arch Bridge. I don’t know how far it is to the city from there, but time and fire are the only things I have in abundance.

Daddy was carryin’ Pitt and Remmie on his back in a double sling he made out’an old canvas sack when he left me. The words he was singing didn’t make no sense, something about a snake and a pay phone. We used to play with the pay phone at the gas station when I’s little, until old Mr. Dane shooed us off.

The twins was born the morning after the town was taken. Th’last things Ellen said to me ‘fore the blood came was Pittsford and remember. Daddy was missing. We thought he was dead along with everybody else in the village, so I gave the twins her last words for names. Daddy didn’t care what they’s called, he just cared about no wife and two babies to care for and not another living soul anywhere on the whole earth as far as it existed.

I ain’t seen nothing like this tree maybe ever. Soft and pink, so bright it makes the sky blue again, like it was before. There’s water in the ditch next to the road. I put some in my metal cup on a rock and fell asleep under the tree. Light’s gone now, but the water’s warm, and I got this wrinkled old envelope with pictures of steam and onions on it. I can read some of the faded letters enough to know it’s supposed to be soup.

Whipple Holler ain’t been lived in since long ‘fore everything happened, but it was a mill town once. I hope I can find enough water to wash.

I smell like burning.

My photo, courtesy of Write on Edge.

My photo, courtesy of Write on Edge.

This week, Write at the Merge was mine to prompt, and I used a quote from one of my favorite R.E.M. songs and this photograph, snapped with my iPhone outside my son’s school.

We first met Pink Moon two weeks ago, and while writing this I realized where her story will end. So there’s that.

 

 

 

 

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